Jeanne Crain's great year

During the mid-1940s, you couldn't be more famous or more beloved than Jeanne Crain. Under exclusive contract to Twentieth Century Fox since 1943, Crain was a top box office star until the early 1950s. During the war years, Crain received more fan mail than anyone on the Fox lot except Betty Grable.

Forties trifecta

In the mid-40s, Crain had hits with State Fair (1945), Centennial Summer, and Margie (both 1946). But in 1949 she really hit her stride with three critical and financial successes: A Letter to Three Wives, The Fan, and Pinky. Not only that, but she worked with three uniquely talented directors in each of those films. For A Letter to Three Wives, Crain worked with Joseph Mankiewicz; for The Fan, Crain worked with Otto Preminger; and for Pinky, Crain worked with the legendary Elia Kazan.

Julia who?

During Crain's peak in popularity, her face was on the covers of dozens of magazines. In Crain's obituary, film historian and Turner Classic Movies (TCM) host, Robert Osborne, called her the "Julia Roberts of the day."

Pregnant pauses

Crain was so popular and such a favorite of Fox studio chief, Darryl Zanuck that he slated many of the plum female roles for her. One problem for Crain was that she was seemingly always pregnant, which frustrated Zanuck to no end and resulted in Crain losing out on some great parts.

One role that Crain may have missed, because she was pregnant, was Eve Harrington in Mankiewicz's All About Eve (1950). Mankiewicz didn't think Crain could be tough enough in the role, but I think it would have been a brilliant move to cast Crain against type. (I mean no disrespect to Anne Baxter, who was superb.) But imagine audiences discovering that sweet Jeanne Crain was a cold, calculating villain. From Zanuck's perspective, it made sense to cast Crain in that role because she would have been a huge box office draw. Pinky was the biggest grossing film of 1949, and Bette Davis's star power was greatly diminished. With all the acclaim Eve got, it wasn't a huge box office hit; with Crain in the picture, it might have hit box office gold.

With Pinky, the first film from a major studio to deal with racism, Crain was nominated for her only Best Actress Academy Award. She lost out to eventual winner, Olivia deHaviland (The Heiress), but it was an acknowledgement that Crain was more than just a pretty face. And a pretty face she was, indeed.

Classic film of the week: "A Letter to Three Wives" (1949)

A Letter to Three Wives (1949) is based on a novel by John Klempner. His novel was entitled A Letter to Five Wives. Writer-director Joseph L. Mankiewicz thought the novel was too long and would be difficult to transfer to the screen. So, he shortened it to four wives and then shortened it again to three. Mankiewicz adapted the screenplay with author and screenwriter Vera Caspary (Laura).

The plot revolves around three wives who, just before going on a boat ride and picnic with some disadvantaged children, receive a letter from a society friend named Addie Ross. In the letter, Addie says she’s run off with one of their husbands. While the women spend the afternoon volunteering, each looks back on her marriage and wonders if hers is the husband who ran off with Addie.

Is it Deborah (Jeanne Crain) Bishop’s husband Brad (Jeffrey Lynn)? Deborah, a poor farm girl, met her husband in the Navy during World War II. Somewhat insecure and naïve, she thinks Brad is attracted to Addie because she is beautiful and sophisticated. Is it Rita (Ann Sothern) Phipps’s husband George (Kirk Douglas)? Rita has a career writing radio soap operas, the quality of which, her schoolteacher-husband disapproves. She wonders if her job, which brings in some much-needed cash, is somehow intimidating to George and ruining their marriage. Is it Lora Mae (Linda Darnell) Hollingsway’s husband Porter (Paul Douglas)? Lora Mae is a girl literally from the wrong side of the tracks who tries her best to marry up by marrying her boss, in part, to help provide for her widowed mother (the wonderful Connie Gilchrist) and younger sister Babe (Barbara Lawrence).

Like Mankiewicz’s All About Eve a year later, A Letter to Three Wives has witty dialogue delivered by a cast of pros. Crain, Sothern, and Darnell are all wonderful as the three wives, with Darnell a standout. As Lora Mae, Darnell has a tough exterior, but in many ways is more vulnerable than either Crain or Sothern. Her battles with Paul Douglas are wonderfully scripted; they make a very believable married couple struggling to keep their relationship together. Also believable are character actresses Gilchrist and Thelma Ritter as Sadie Dugan, Rita and George’s maid.

For Joseph L. Mankiewicz, 1949 was an extraordinary year. Not only did he win the Academy Award for Best Director, but he also won for Best Writing as well. Writing and directing was something Mankiewicz had always wanted to do and A Letter to Three Wives showcases Mankiewicz at the height of his creativity.


Classic Movie Man Trivia: Who was set to play the fourth wife before her part was cut?
Answer: Ann Baxter